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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Dissertations on Namibia</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection holds full length dissertations written on and/or from Namibia. Unless the dissertations are particularly dated, or the author has passed, I have obtained permission before uploading the files. There are both M.A. and PhD Dissertations uploaded.</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="1948">
                <text>Nature, cattle thieves and various other midnight robbers: Images of people, place and landscape in Damaraland, Namibia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1949">
                <text>This thesis is a study of the social-economy of pastoralism in Damaraland, a former homeland of Namibia. It focuses on communal livestock farmers and their families, their strategies for coping with drought, poverty and a legacy of political oppression. By combining ethnographic, historical and ecological research methods the author achieves a multi-faceted view of pastoral practice in relation to land tenure, environmental change, political history and rural development. As part of a wider critique relating to past ethnographic representations of Namibians, the author presents a collection of over 200 photographs made by sixteen individual 'informants' from his central fieldwork area of Okombahe. These photographs form the basis for a discussion of identity, social relations, mobility, reciprocity, poverty and politics in rural Damaraland as well as theoretical considerations pertaining to visual representation generally. This ethnographic material is contextualized by exploring the historical experience of the inhabitants of Okombahe in relation regional economic, social and political processes. In order to survive in this unpredictable arid environment, communal livestock farmers, practice an opportunistic strategy of coping with drought based on flexible property relations. This thesis researches the impact which pastoral practice and communal settlement has had on this environment. The history of vegetation change in the vicinity of communal settlements in Damaraland is explored using a combination of methodologies including matched ground and aerial photography. The author concludes that this research validates recently revised theories pertaining to dryland ecology which posit that such environments are highly resilient: vegetation change associated with communal land use in Damaraland has come about primarily as a result of long term climatic fluctuations rather than because of unsustainable exploitation by communal farmers. This is shown to have important implications for contemporary development policy.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="1950">
                <text>Rick Rohde</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="1951">
                <text>University of Edinburgh</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>PDF</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1953">
                <text>1997</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="1954">
                <text>English</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="1955">
                <text>https://www.era.lib.ed.ac.uk/handle/1842/8959</text>
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        <name>Damaraland</name>
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        <name>Edinburgh</name>
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        <name>ethnography</name>
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        <name>Okombahe</name>
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        <name>Pastoralism</name>
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      <tag tagId="679">
        <name>Property</name>
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        <name>Rick Rohde</name>
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        <name>vegetation</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Documentary Films on Namibia</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection holds full length Documentary Films on Namibia.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Rights vary depending on the resource. Please consult each individual entry for specific information</text>
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      <name>Moving Image</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Kwanyama Mining and Smelting: Angola 1937</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The Following is extracted from a webpage at the University of Kent at Canterbury. It provides background on the film clip. "The smelting movie was chosen for this project for a number of reasons. Essentially it is a good example of an ethnographic movie in that it highlights and examines an ongoing process that contains many examples of ritual and these are captured in the film. The position of the smith is a respected one, he is a ritual specialist, able to 'cure' iron-ore and produce the highly prized metal. The technological process of smelting in this particular instance seems to be a variety that is not commonly described. All the other descriptions of furnaces that I have come across mention a chimney for example, and several tuyeres. However ritual is a significant part of the process. That the actual technical process is a skilled and complicated procedure there is no doubt, the ritual may act to disguise the technical process, thus ensuring the privileges Smelting in Africa has a varied and widespread history. Today traditional smelting has all but died out, and the industry was initially affected by the importation of cheap European iron at the turn of the century. That the iron smelting in the film was occurring as late as 1937 is in itself by all accounts unusual. The film is also of interest as it is a piece of work that has been carried out by two of Major Powell-Cotton's daughters, Diana and Antoinette. This fact allows for another perspective on the museum collection. Also women ethnographic film makers in the 1930's were a rare breed. The movie contains several good examples of ritual behaviour. Also I have had access to the field-notes of the people who made the film. What I have tried to achieve by the combination of video and text is not only an insight and explanation of the Ovambo and their smelting tradition, but also some insight into the thinking and construction of the film makers themselves. Neither women were anthropologists and I am sure that this is apparent from looking at the notes in terms of how much more information there could be, as well as some of the descriptive comments. The typed field notes have been reproduced as they were found in the museum archives, including spelling and grammatical errors, in order to give the user a sense of comparison with the film. Things discussed in the field notes are not necessarily recorded in the film."</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Diana Powell-Cotton &amp; A. Powell-Cotton</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="884">
                <text>University of Kent at Canterbury</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="885">
                <text>MOV Video File</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="886">
                <text>1937</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="887">
                <text>Silent</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="888">
                <text>http://www.era.anthropology.ac.uk/Era_Resources/Era/P-C_Museum/smelt_index.html</text>
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        <name>Documentary</name>
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        <name>ethnography</name>
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        <name>Iron</name>
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        <name>Kwanyama</name>
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      <tag tagId="137">
        <name>Ovamboland</name>
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      <tag tagId="219">
        <name>Powell-Collins</name>
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        <name>Smelting</name>
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